A Discourse on the Life, Character and Writings of Gulian Crommelin Verplanck Delivered before the New-York Historical Society, May 17th, 1870 — Background and Themes

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Bryant, William Cullen, 1794-1878 Project Gutenberg 2003 Not confirmed
Verplanck, Gulian C. (Gulian Crommelin), 1786-1870; New York (State) -- Biography Readers of public-domain and historical texts
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Words 17,095
Reading time 75 min
Text sections 2

This digital edition of A Discourse on the Life, Character and Writings of Gulian Crommelin Verplanck Delivered before the New-York Historical Society, May 17th, 1870 — Background and Themes is described by source-level measurements including 17,095 words, 1 hr 15 min estimated reading time, and 2 detected text sections.

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Bryant's 1870 memorial discourse on Verplanck balances personal tribute with precise observations on his legal opinions, Shakespeare edition, and role in expanding the New York State Library, revealing a methodical mind through deliberate pacing and layered syntax.
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Verplanck was a man so universally known and honored, both for his integrity and scholarly attainments, that in the end all would be well." This proved true; the extensive estate at Fishkill was never confiscated, and its owner was left unmolested.

On the mother's side, our friend had an ancestry of quite different political views. His grandfather, William Samuel Johnson, of Stratford, in Connecticut, was one of the revolutionary fathers. Before the revolution, he was the agent of Connecticut in England; when it broke out he took a zealous part in the cause of the revolted colonies; he was a delegate to Congress from his State when Congress sat in New York, and he aided in framing the Constitution of the United States. Afterwards, he was President of Columbia College from the year 1787 to the year 1800, when, resigning the post, he returned to Stratford, where he died in 1819, at the age of ninety-two. His father, the great-grandfather of the subject of this memoir, was Dr. Samuel Johnson, of Stratford, one of the finest American scholars of his day, and the first President of Columbia College, which however, he left after nine years, to return and pass a serene old age at Stratford. He had been a Congregational minister in Connecticut, but by reading the works of Barrow and other eminent divines of the Anglican Church, became a convert to that church, went to England, and taking orders returned to introduce its ritual into Connecticut. He was the friend of Bishop Berkeley, whose arm-chair was preserved as an heir-loom in his family. When in England, he saw Pope, who gave him cuttings from his Twickenham willow. These he brought from the banks of the Thames, and planted on the wilder borders of his own beautiful river the Housatonic, which at Stratford enters the Sound. They were, probably, the progenitors of all the weeping willows which are seen in this part of the country, where they rapidly grow to a size which I have never seen them attain in any other part of the world.

The younger of these Dr. Johnsons--for they both received the degree of Doctor of Divinity from the University of Oxford--had a daughter Elizabeth, who married Daniel Crommelin Verplanck, the son of Samuel Verplanck, and the only fruit of their marriage was the subject of this memoir. The fair-haired young mother was a frequent visitor with her child to Stratford, where, under the willow trees from Twickenham, as appears from some of her letters, he learned to walk. She died when he was but three years old, leaving the boy to the care of his grandmother, by whom he was indulgently yet carefully reared.

The grandmother is spoken of as a lively little lady, often seen walking up Wall Street, dressed in pink satin and in dainty high heeled shoes, with a quaint jewelled watch swinging from her waist. Wall Street was then the fashionable quarter; the city, still in its embryo stater extending but a little way above it; it was full of dwelling houses, with here and there a church, which has long since disappeared. Over that region of the metropolis where Mammon is worshipped in six days out of seven, there now broods on Sunday a sepulchral silence, but then the walks were thronged with churchgoers. The boy was his grandmother's constant companion. He was trained by her to love books and study, to which, however, he seems to have had a natural and inherited inclination. It is said that at a very tender age she taught him to declaim passages from Latin authors, standing on a table, and rewarded him with hot pound-cake. Another story is, that she used to put sugar-plums near his bedside, to be at hand in case he should take a fancy to them in the night. But, as he was not spoiled by indulgence, it is but fair to conclude that her gentle method of educating him was tempered by firmness on proper occasions--a quality somewhat rare in grandmothers. A letter from one of her descendants playfully says:

Bryant opens his 1870 discourse before the New-York Historical Society with a striking architectural metaphor: Verplanck's death leaves 'a sad vacuity in the framework which he helped to uphold and adorn,' as if 'one of the columns which support a massive building had been suddenly taken away.' The comparison is not merely ornamental—it signals Bryant's method throughout. He will treat Verplanck's life as a structure built from discrete, load-bearing achievements: legal opinions, editorial work, institutional service. The metaphor also establishes the measured, almost judicial tone that governs the address, a voice appropriate for a eulogy delivered to fellow historians and jurists.

A Miniature on a Small Canvas

Bryant explicitly warns his audience that his portrait will be 'but a miniature,' because Verplanck 'acted in so many important capacities' that a full account would require a volume. This self-imposed limitation shapes the discourse's pace. Rather than narrating a chronological life, Bryant selects representative episodes, moving from Verplanck's birth in a 'large yellow mansion' on Wall Street to his later roles as legislator, judge, and editor. The effect is a series of tightly framed vignettes, each introduced with a formal transition—'In 1844, after, I doubt not, some years of previous study'—that slows the narrative and gives each achievement its own weight. The pacing mirrors the deliberateness Bryant attributes to Verplanck himself.

The Weight of Legal Language

When Bryant turns to Verplanck's judicial opinions, his own prose becomes noticeably denser. He describes the case of Thompson against the People as 'elaborate, learned and exhaustive,' and notes that it was 'decided by a single vote and by his opinion.' The phrasing is precise, almost technical, echoing the legal documents he summarizes. Bryant does not merely praise Verplanck's intellect; he demonstrates it by quoting the substance of his rulings—on 'the true nature of franchises' and 'the proper operation of the writ of quo warranto.' These passages shift the discourse's rhythm from elegiac to expository, as if Bryant momentarily steps aside to let the legal record speak. The effect is to ground the eulogy in verifiable accomplishment rather than sentiment.

The Editor as Quiet Architect

Bryant's account of Verplanck's edition of Shakespeare reveals a different kind of care. He notes that Verplanck 'made some corrections of the text but never rashly,' selected notes 'with care,' and wrote 'admirable critical and historical prefaces.' The repetition of careful, measured adverbs—'never rashly,' 'with care'—mirrors the editorial restraint Bryant admires. He calls the edition 'the very one for which the general reader has occasion,' a modest claim that nonetheless positions Verplanck as a mediator between scholarship and the public. The section on the State Library extends this theme: Verplanck's 'knowledge of books and editions' helped grow the collection from ten thousand to over eighty-two thousand volumes. Bryant presents this growth as a quiet, cumulative achievement, matching the unhurried pace of his own narrative.

Bryant's discourse rewards readers who attend to its structure as much as its subject. The shifts in pace—from metaphorical opening to legal exposition to institutional history—are not accidental; they mirror the range of Verplanck's own activities. Pay attention to how Bryant uses syntactic weight: longer, more complex sentences accompany discussions of law and governance, while briefer, more direct statements introduce personal or editorial matters. This variation is itself a form of tribute, matching form to content in a way that Verplanck, as a careful editor, would likely have recognized.

There’s something touching in how Bryant mourned Verplanck—the careful layering of a legal mind, the quiet pride in a Shakespeare edition. It made me think of that other classic, how method becomes tenderness. Sometimes we forget old books are just slow conversations with people who tried hard. Affirmations — Inside the Classic holds that same unhurried warmth, like sunlight on a familiar shelf.

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