Preface to a Dictionary of the English Language — Background and Themes

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Johnson, Samuel, 1709-1784 Project Gutenberg 2004 Not confirmed
English language -- Dictionaries; Lexicology Readers of public-domain and historical texts
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Samuel Johnson's preface to his dictionary reveals the lexicographer's struggle with language's 'wild exuberance' and the tension between systematic rules and the 'caprices of innovation.'
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PREFACE TO A DICTIONARY OF THE ENGLISH LANGUAGE

It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage, or punished for neglect, where success would have been without applause, and diligence without reward.

Among these unhappy mortals is the writer of dictionaries; whom mankind have considered, not as the pupil, but the slave of science, the pionier of literature, doomed only to remove rubbish and clear obstructions from the paths through which Learning and Genius press forward to conquest and glory, without bestowing a smile on the humble drudge that facilitates their progress. Every other authour may aspire to praise; the lexicographer can only hope to escape reproach, and even this negative recompense has been yet granted to very few.

I have, notwithstanding this discouragement, attempted a dictionary of the English language, which, while it was employed in the cultivation of every species of literature, has itself been hitherto neglected; suffered to spread, under the direction of chance, into wild exuberance; resigned to the tyranny of time and fashion; and exposed to the corruptions of ignorance, and caprices of innovation.

When I took the first survey of my undertaking, I found our speech copious without order, and energetick without rules: wherever I turned my view, there was perplexity to be disentangled, and confusion to be regulated; choice was to be made out of boundless variety, without any established principle of selection; adulterations were to be detected, without a settled test of purity; and modes of expression to be rejected or received, without the suffrages of any writers of classical reputation or acknowledged authority.

Having therefore no assistance but from general grammar, I applied myself to the perusal of our writers; and noting whatever might be of use to ascertain or illustrate any word or phrase, accumulated in time the materials of a dictionary, which, by degrees, I reduced to method, establishing to myself, in the progress of the work, such rules as experience and analogy suggested to me; experience, which practice and observation were continually increasing; and analogy, which, though in some words obscure, was evident in others.

In adjusting the ORTHOGRAPHY, which has been to this time unsettled and fortuitous, I found it necessary to distinguish those irregularities that are inherent in our tongue, and perhaps coeval with it, from others which the ignorance or negligence of later writers has produced. Every language has its anomalies, which, though inconvenient, and in themselves once unnecessary, must be tolerated among the imperfections of human things, and which require only to be registered, that they may not be increased, and ascertained, that they may not be confounded: but every language has likewise its improprieties and absurdities, which it is the duty of the lexicographer to correct or proscribe.

As language was at its beginning merely oral, all words of necessary or common use were spoken before they were written; and while they were unfixed by any visible signs, must have been spoken with great diversity, as we now observe those who cannot read catch sounds imperfectly, and utter them negligently. When this wild and barbarous jargon was first reduced to an alphabet, every penman endeavoured to express, as he could, the sounds which he was accustomed to pronounce or to receive, and vitiated in writing such words as were already vitiated in speech. The powers of the letters, when they were applied to a new language, must have been vague and unsettled, and therefore different hands would exhibit the same sound by different combinations.

From this uncertain pronunciation arise in a great part the various dialects of the same country, which will always be observed to grow fewer, and less different, as books are multiplied; and from this arbitrary representation of sounds by letters, proceeds that diversity of spelling observable in the Saxon remains, and I suppose in the first books of every nation, which perplexes or destroys analogy, and produces anomalous formations, that, being once incorporated, can never be afterward dismissed or reformed.

Of this kind are the derivatives length from long, strength from strong, darling from dear, breadth from broad, from dry, drought, and from high, height, which Milton, in zeal for analogy, writes highth; Quid te exempta juvat spinis de pluribus una [Horace, Epistles, II. ii. 212]; to change all would be too much, and to change one is nothing.

Samuel Johnson opens his preface with a striking self-portrait: the lexicographer as a 'humble drudge,' a 'pionier of literature' whose labor is taken for granted. He contrasts his own toil with the glory of other authors, setting a tone of weary determination. The language itself is energetic and copious, mirroring the very subject he seeks to tame.

Johnson describes English as 'copious without order, and energetick without rules,' a phrase that captures the central problem he faced. His solution was to read widely, accumulate examples, and gradually reduce them to method, guided by 'experience and analogy.' The preface is as much a record of this process as it is a justification of the result.

The Lexicographer's Burden

Johnson's preface is remarkable for its frank admission of the lexicographer's lowly status. He writes that such workers are 'driven by the fear of evil, than attracted by the prospect of good,' and that the lexicographer 'can only hope to escape reproach.' This is not false modesty; it is a realistic assessment of a task that involves 'removing rubbish and clearing obstructions' for others. The metaphor of the 'slave of science' is deliberately harsh, emphasizing the thankless nature of the work. Johnson's own motivation, he implies, is not praise but a sense of duty to bring order to a language that has been 'suffered to spread, under the direction of chance, into wild exuberance.'

Principles of Selection and Authority

Johnson explains his method for choosing quotations: a word's meaning must be 'determined by the tract and tenour of the sentence.' He includes multiple examples to show 'diversities of signification' and different shades of meaning. He notes that 'one will shew the word applied to persons, another to things; one will express an ill, another a good, and a third a neutral sense.' This attention to context and nuance is central to his lexicographical practice. He also admits to occasionally tracing a 'genealogy of sentiments' by showing how one author copied another, which he calls 'a kind of intellectual history.'

Acknowledged Imperfections

Johnson does not claim perfection. He confesses that his orthography is 'still controvertible,' his etymology 'uncertain, and perhaps frequently erroneous,' and his explanations sometimes 'too much contracted, and sometimes too much diffused.' He admits that examples are 'too often injudiciously truncated' and that many senses have 'escaped observation.' This self-criticism is unusual for a preface and adds to the work's credibility. Johnson presents his dictionary not as a final authority but as a human effort, 'capable of many improvements.' The reader is left with a sense of the immense difficulty of the task and the honesty of its author.

Johnson's preface rewards readers who pay attention to its rhetorical structure as much as its content. The alternation between grand claims and humble admissions creates a dynamic argument about the nature of linguistic authority. Readers may find it useful to compare Johnson's stated principles with the actual entries in his dictionary, noting where practice diverges from theory. The preface stands as a compelling document of intellectual labor and self-awareness.

I often think of Dr. Johnson wrestling with the wild exuberance of our tongue, trying to cage it in orderly pages. It reminds me of another quiet companion on my shelves, a book about time’s slow, patient hand shaping the land. There’s a gentle kinship there—both acknowledge that change, and even chaos, have their own steady rhythm. Time and Change — Key Ideas to Explore sits beside my dictionary now, murmuring old truths.

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