The German Classics of the Nineteenth and Twentieth Centuries, Volume 10 Prince Otto Von Bismarck, Count Helmuth Von Moltke, Ferdinand Lassalle — Reading Notes

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Francke, Kuno, 1855-1930 [Editor] Project Gutenberg 2004 Not confirmed
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English Readers of public-domain and historical texts
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Edition facts

Words 183,183
Reading time 797 min
Text sections 15

For The German Classics of the Nineteenth and Twentieth Centuries, Volume 10 Prince Otto Von Bismarck, Count Helmuth Von Moltke, Ferdinand Lassalle — Reading Notes, the stored edition analysis reports 183,183 words, 13 hr 17 min estimated reading time, and 15 detected text sections.

The text analysis averages about 27.1 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “German literature -- 19th century -- Translations into English,” connecting these edition facts with the source record’s subject description.

This volume collects speeches, letters, and historical writings by Bismarck, Moltke, and Lassalle, offering primary-source insight into 19th-century German politics and military strategy through the figures' own words.
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gs no real coolness, and I could ride or drive about for hours in the mysterious gloaming which hovers at midnight over the surface of the water, if the increasing brightness did not give warning that another day is waiting with its work and care, and that sleep demands its rights beforehand. Since I have had the drosky, in which there is too little room for an interpreter, I am making, to the smirking delight of Dmitri, the coachman, progress in Russian, since there is nothing left for me to do but to speak it _tant bien que mal_. I am sorry that you have not been able to watch with me the sudden awakening of spring here; as if it had suddenly occurred to her that she had overslept her time, she is putting on, in twenty-four hours, her entire green dress, from head to foot. * * * This whole preparation for war is somewhat premature, and is causing us unnecessary expense. I hope we shall come to our senses finally before setting all Europe on fire, for the sake of obliging some little princes, and, at our own cost, helping Austria in glory out of her embarrassment. We cannot allow Austria either to be annihilated or, through brilliant victory, to be strengthened in her feeling of self-confidence and to make us the footstool of her greatness. But there is plenty of time for either case before we take the plunge, and many a piece of Lombard water can be dyed red, for things will not go forward so easily as hitherto when the Austrians have once placed themselves in their line of forts, as they should have done at the first. * * *

It is a misfortune that I always write to you in a steaming hurry; now the foxy face of the chancery servant, who is in the police pay, besides, is before me again already, and is hurrying me up, and everything I wanted to say is shrivelling before the fellow, who is useful, however. I was just thinking of much more that I wanted to write, and now I do not know anything except that I should like to beat him. * * * In the greatest love,

Your most faithful v.B.

This volume presents a curated selection of writings by three central figures of 19th-century Germany: Otto von Bismarck, Helmuth von Moltke, and Ferdinand Lassalle. Rather than offering a unified narrative, the collection juxtaposes political speeches, private correspondence, military analyses, and social theory, each reflecting the distinct voice and preoccupations of its author. The excerpts reveal Bismarck's pragmatic realism in parliamentary debate, Moltke's observational precision in travel writing, and Lassalle's rhetorical construction of class struggle. Readers encounter not a single 'German classic' but a polyphonic archive of historical argument.

Bismarck's Rhetoric of Realpolitik

Bismarck's speeches in this volume display a consistent rhetorical strategy: he grounds policy in national interest rather than ideology. In the excerpt on Austria, he argues that 'it is not love which makes them reliable, for nations may make war one upon the other because they hate, but it has never yet happened that one nation has sacrificed itself for the other for mere love.' This framing reduces alliance to calculated advantage. He similarly dismisses emotional motives, asserting that 'Russian hatred of us, which has been artificially fanned, will not last.' His language is concrete, referencing specific treaties, troop levels, and historical precedents like the 'old blunderbuses furnished in 1813.' The speeches avoid abstract principle, instead weighing consequences: 'What will be the result?' he repeatedly asks. This pragmatic tone, coupled with direct address to his audience ('I believe you will approve'), characterizes Bismarck as a statesman who justifies power through necessity, not sentiment.

Moltke's Observational Range

Moltke's contributions span genres from military analysis to travelogue and philosophical reflection. The contents list includes 'A Bullfight in Spain' and 'Description of Moscow,' indicating a writer attentive to cultural detail beyond the battlefield. His 'Consolatory Thoughts on the Earthly Life and a Future Existence' suggests a contemplative dimension absent from Bismarck's speeches. The excerpt from 'The Political and Military Conditions of the Ottoman Empire in 1836' shows Moltke as an analyst of foreign states, while 'Fighting on the Frontier' and 'Battle of Gravelotte—St. Privat' place him in direct combat narrative. This variety—from strategic overview to personal journey—reveals a figure who observed widely and wrote with discipline. Readers should note how his tone shifts between genres: the travel pieces likely employ descriptive precision, while the military writings emphasize clarity and order. The volume thus preserves Moltke as both soldier and intellectual.

Lassalle's Programmatic Voice

Ferdinand Lassalle appears through works like 'The Workingmen's Programme' and 'Open Letter to the Central Committee,' translated by E.H. Babbitt and Thorstein B. Veblen respectively. These titles indicate a direct, agitational style aimed at a labor audience. Lassalle's writing is explicitly political, constructing a framework for working-class organization. The excerpt from 'Science and the Workingmen' (translated by Veblen) likely merges theoretical argument with practical appeal. Unlike Bismarck's parliamentary realism or Moltke's observational breadth, Lassalle's texts are programmatic: they define a movement, diagnose social conditions, and call for action. The inclusion of his work alongside statesmen and soldiers underscores the volume's editorial interest in contrasting forms of influence—political, military, and social. Readers should attend to how Lassalle's rhetoric differs in urgency and abstraction from the other authors, and how the translations by noted economists (Veblen) and political writers shape his English-language presentation.

This volume does not offer a single argument but a set of primary documents that reward comparative reading. Bismarck's speeches, Moltke's letters, and Lassalle's manifestos each encode a distinct relationship to power and audience. The editorial framing by Kuno Francke and the translators' choices further mediate these voices. Readers interested in 19th-century German political culture will find here not a synthesis but a sourcebook of conflicting perspectives, best approached by attending to each author's rhetorical habits and the contexts implied by their words.

There’s something grounding about holding Bismarck’s letters in one hand, watching a mind shape history in real time—yet I find myself drifting to the quieter, more personal side of public life, the way private recollections soften the edges of controversy. That old Personal Recollections Abridged, Chiefly in Parts Pertaining to Political and Other Controversies Prevalent at the Time in Great Britain — Story, Setting & Ideas sits nearby, and I catch myself wondering how much of any era is really the speeches—and how much is the unspoken weariness behind them.

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