The Letter-Bag of Lady Elizabeth Spencer-Stanhope — Volume 1 — Themes and Context
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CHAPTER I. LETTERS RELATING TO THE WORLD OF _TON_, 1805-1806 II. LETTERS OF AN EXILE, 1805-1810 III. _ON DITS_ FROM LONDON, YORKSHIRE AND RAMSGATE, 1806-1807 IV. _ON DITS_ FROM GROSVENOR SQUARE AND CANNON HALL, 1808-1810 V. ANECDOTES FROM A PRISONER OF NAPOLEON, 1810-1812 VI. LETTERS FROM AN ESCAPED PRISONER, 1812-1813 VII. LETTERS FROM ENGLAND AND FRANCE, 1811-1821
LIST OF ILLUSTRATIONS
THE VISCOUNTESS ANSON _Frontispiece_ _From a miniature by Cosway_
SILHOUETTES OF MRS SPENCER-STANHOPE AND HER DAUGHTERS MARIANNE AND ANNE
SILHOUETTES OF ISABELLA, FRANCES, AND MARIA SPENCER-STANHOPE
CARICATURE OF SIR LUMLEY SKEFFINGTON
SIR FRANCIS BURDETT, BT. _From a picture painted while he was a prisoner in the Tower_
PASSPORT GIVEN BY NAPOLEON IST TO JOHN SPENCER-STANHOPE
SIR RICHARD CARR GLYN, BT.
PRINT OF GEORGE III. WHEN MAD
THE MARCHIONESS CONYNGHAM
QUEEN CAROLINE, BY HARLOWE
WALTER SPENCER-STANHOPE, AETAT. 70 _From an ivory bust_
"In town what numbers into fame advance, Conscious of merit in the coxcombs' dance, The Op'ra, Almack's, park, assembly, play, Those dear destroyers of the tedious day, That wheel of fops, that saunter of the town, Call it diversion, and the pill goes down." _Young_
For the enlightenment of those readers who have not read the previous volumes of which the present is the continuation, it may be well to recapitulate briefly the material with which these dealt.
In 1565 a branch of the Stanhopes came from Lancashire into Yorkshire, and eventually settled at Horsforth, Low Hall, near Calverley Bridge, in the latter county. During the period of the Civil Wars, a branch of the family of Spencer migrated from the borders of Wales into Yorkshire, and in the reign of Charles II. one of them purchased the house and land at that date constituting the estate of Cannon Hall. In 1748 Walter Stanhope of Horsforth united the two families by his marriage with Ann Spencer of Cannon Hall, and their son Walter, eventually inheriting both properties from his respective uncles, bore the name of Spencer-Stanhope.
Walter Spencer-Stanhope was for thirty-nine years a member of the House of Commons, during which time he represented respectively Haslemere, Carlisle, and Hull. In 1787 he married Mary Winifred Pulleine, who inherited the estates of Roddam and Dissington in Northumberland, in trust for her third and fourth sons. By her he had fifteen children, but his eldest son and first-born child, owing to an accident at birth, was rendered _non compos_, and his second son, John, was therefore in the position of his heir.
Mrs Stanhope, an exemplary and affectionate mother, appears occasionally to have become confused with the number of her progeny and to have been fearful of forgetting the order of their rapid entrance into the world or of certain events which formed a sequel to their arrival. She therefore compiled a list of such incidents, which is here subjoined, since the reader may find it useful for occasional reference.
_The Family of Walter Spencer-Stanhope of Cannon Hall._
Walter Spencer Spencer-Stanhope, his first-born, came into the world about eight o'clock in the morning of the 26th of August, 1784, & was christened in Horsforth Chapel the 25th of September following, his Sponsors were Edward Collingwood, John Ashton Shuttleworth, Esqre., & Mrs Lawson of Chirton. He was inoculated by Baron Dimsdale the 13th of February, 1787, and had about 30 small-Pox. He had the measles very favourably in November 1790.
Marianne, our next-born, came into the world in Grosvenor Square on the 23rd of May, 1786, about 7 o'clock in the morning, was baptised there on the 20th June following. Her Sponsors were Sir Richard Carr Glyn, Mrs Stanhope, and Mrs Greame his mother and aunt. She was inoculated by Baron Dimsdale the 13th of February 1787, and was very full. She had the measles in Grosvenor Square very favourably in March 1806. [1]
John, his third child, came into the world in Grosvenor Square on the 27th of May, 1787, between 6 & 8 o'clock in the morning. He had private Baptism in his house that Evening & public Baptism on June 25th, 1787, or thereabouts. His Sponsors were the Earl of Chesterfield, Sir Mathew White Ridley and Lady Glyn. He was inoculated the 12th February, 1788, by Baron Dimsdale and had the disorder favourably. He had the Measles and Whooping-cough at Sunbury. [2]
Anne, his 4th child, was born September 7th, 1788, between 6 & 8 in the Morning at Cannon Hall, was christened at Cawthorne Church, November 2nd, 1788, having received private Baptism about a Fortnight after she was born. She was inoculated by Baron Dimsdale on or about 24th of April, 1789, and had the Disorder very favourably. Her Sponsors were the Countess of Burford, Mrs Marriott & Mr Pulleine. [3]
The volume opens with a preface explaining its origin: letters preserved at Cannon Hall, the Yorkshire home of the Spencer-Stanhope family, compiled by their descendant A. M. W. Stirling. The correspondence spans nearly seventy years, resuming from 1805–6 where Annals of a Yorkshire House left off. The compiler notes that while the earlier series centered on Walter Spencer-Stanhope, M.P., this one focuses on his son John, with Lady Elizabeth—wife of John and daughter of 'Coke of Norfolk'—as the figure whose letter-bag gives the book its title.
The first substantial excerpt describes the Prince Regent's magnificent fête at Carlton House in July 1811. Mrs. Stanhope writes that three thousand people were invited, supper was served in temporary garden rooms, and the event resembled Vauxhall. She notes the royal attendees and that she and her husband left for Yorkshire at three in the morning after returning home at half past five. The compiler then adds newspaper accounts of a subsequent public viewing that turned dangerous, with crowds trampling several ladies, and Mrs. Stanhope's relieved comment that Esther Acklom did not go.
A Compiler's Framework
The preface establishes the book as a sequel to two earlier publications, Coke of Norfolk and his Friends (1906) and Annals of a Yorkshire House (1911). Stirling describes the present work as a continuation of the latter, resuming the narrative from 1805–6. The correspondence is primarily addressed to or written by John Spencer-Stanhope (1787–1873), though letters to and from other family members are included. The compiler explains that only those letters survived which found their way back to Cannon Hall, preserved by Lady Elizabeth, the writer's grandmother. This framing alerts the reader that the collection is selective, shaped by the fortunes of a single household.
The Prince Regent's Fête: A Case Study in Editorial Method
The longest excerpt in the opening pages describes the Prince Regent's fête at Carlton House on June 19, 1811. Mrs. Stanhope's letter, dated July 1 from Cannon Hall, reports that three thousand people were invited, supper was served in temporary garden rooms, and the event was "more like Vauxhall than anything." She lists the Duke of York, Princess Sophia, and the Duke of Gloucester among attendees, and notes that she and her husband did not get home until half past five, then started for Yorkshire at three. The compiler supplements this with newspaper accounts of a subsequent public viewing that caused a crush: several ladies were thrown down and trampled, one young lady's face was "quite black from strangulation." Mrs. Stanhope's comment—"What a mercy Esther Acklom did not go"—provides a personal coda. This juxtaposition of private letter and public record illustrates the compiler's method of embedding correspondence within historical context.
Recurring Correspondents and Social Circles
The excerpts introduce Esther Acklom, the only daughter and heiress of Richard Acklom of Wiseton Hall, Nottinghamshire. The compiler describes her as "much sought after in society on account of her reputed wealth" and "a decided flirt, and extremely fond of amusement." Her mother's delicate health and the proximity of the Acklom house in Lower Grosvenor Street to Mr. Stanhope's are given as reasons for her frequent presence in the correspondence. The reader can expect Esther Acklom to appear repeatedly as a figure linking the Stanhopes to the marriage market and social whirl of the period. The compiler's editorial voice here is descriptive rather than judgmental, offering biographical sketches that illuminate the letters.
Tone and Texture of the Letters
Mrs. Stanhope's letter about the fête is brisk and factual, with no moral commentary on the Regent's conduct despite the compiler's note that "the condemnation meted out freely to his conduct, even by those who accepted his hospitality, finds no echo in her correspondence." This restraint suggests a writer more interested in recording events than in passing judgment. The letter's closing detail—that the public were to be admitted to see "the Hébris of our feast"—shows a wry humor. The compiler's own prose is more elaborate, using phrases like "the iron that entered into the soul of a strong man" and "the black c" (cut off in the excerpt). Readers should note the contrast between the direct, unadorned style of the letters and the more literary framing provided by Stirling.
As you read, pay attention to the interplay between the letters themselves and the compiler's annotations. Stirling often provides context—biographical sketches, newspaper clippings, historical explanations—that enriches the correspondence without overwhelming it. The volume covers nearly seventy years, so the cast of characters will shift over time. The preface promises a view of "the social existence of two generations and the current gossip of over half-a-century," and the early pages deliver exactly that: a blend of private observation and public event, anchored in the routines of a Yorkshire family.
There's something touching about how these letters capture ordinary moments—the crush at the Regent's fête, the quiet carriage ride north—alongside the grander historical noise. It reminds me of the gentler observations in Sketches of Young Couples — Text and Context, where private hesitations and shared glances carry their own quiet weight. Both feel like eavesdropping on lives that didn't know they were being watched.
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