De Libris: Prose and Verse — Inside the Classic

(0 User reviews)   22
Dobson, Austin, 1840-1921 Project Gutenberg 2006 Not confirmed
English literature -- History and criticism; Greenaway, Kate, 1846-1901; Thomson, Hugh, 1860-1920 Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 40,248
Reading time 175 min
Text sections 2

Before opening De Libris: Prose and Verse — Inside the Classic, the edition data offers a quick orientation: 40,248 words, 2 hr 55 min estimated reading time, and 2 detected text sections.

The text analysis averages about 22.3 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “English literature -- History and criticism,” connecting these edition facts with the source record’s subject description.

Austin Dobson's collection of essays and verses examines books, their associations, and the craft of illustration, with close attention to the work of Kate Greenaway and Hugh Thomson, drawing on specific examples from their careers.
Share
Editorial Edition Score 4.6/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

were your ringlets fair, or brown, or black, Poor little Head! that long has done with aching![1]

"Ages back" she certainly did _not_ live, for the book is dated "1637," and "yesterday" is absurd. But that her eyes were bright,--nay, that they were particularly lively and vivacious, even as they are in the sanguine sketches of Antoine Watteau a hundred years afterwards, I am "confidous"--as Mrs. Slipslop would say. For my theory (in reality a foregone conclusion which I shrink from dispersing by any practical resolvent) is, that Mile. de Mons was some delightful seventeenth--century French child, to whom the big volume had been presented as a picture-book. I can imagine the alert, strait-corseted little figure, with ribboned hair, eagerly craning across the tall folio; and following curiously with her finger the legends under the copper "figures,"--"Narcisse en fleur," "Ascalaphe en hibou," "Jason endormant le dragon,"--and so forth, with much the same wonder that the Sinne-Beelden of Jacob Cats must have stirred in the little Dutchwomen of Middelburg. There can be no Mlle. de Mons but this,--and for me she can never grow old!

[1] This quatrain has the distinction of having been touched upon by Thackeray. When Mr. Locker's manuscript went to the Cornhill Magazine in 1860, it ran thus:

Did she live yesterday, or ages sped? What colour were the eyes when bright and waking? And were your ringlets fair? Poor little head! --Poor little heart! that long has done with aching.

Sometimes it comes to pass that the association is of a more far-fetched and fanciful kind. In the great Ovid it lies in an inscription: in my next case it is "another-guess" matter. The folio this time is the _Sylva Sylvarum_ of the "Right Hon. Francis Lo. Verulam. Viscount St. Alban," of whom some people still prefer to speak as Lord Bacon. 'Tis only the "sixt Edition"; but it was to be bought at the Great Turk's Head, "next to the Mytre Tauerne" (not the modern pretender, be it observed!), which is in itself a feature of interest. A former possessor, from his notes, appears to have been largely preoccupied with that ignoble clinging to life which so exercised Matthew Arnold, for they relate chiefly to laxative simples for medicine; and he comforts himself, in April, 1695, by transcribing Bacon's reflection that "a Life led in _Religion_ and in _Holy Exercises_" conduces to longevity,--an aphorism which, however useful as an argument for length of days, is a rather remote reason for religion. But what to me is always most seductive in the book is, that to this edition (not copy, of course) of 1651 Master Izaak Walton, when he came, in his _Compleat Angler_ of 1653, to discuss such abstract questions as the transmission of sound under water, and the ages of carp and pike, must probably have referred. He often mentions "Sir Francis Bacon's" _History of Life and Death_, which is included in the volume. No doubt it would be more reasonable and more "congruous" that Bacon's book should suggest Bacon. But there it is. That illogical "succession of ideas" which puzzled my Uncle Toby, invariably recalls to me, not the imposing folio to be purchased "next to the Mytre Tauerne" in Fleet Street, but the unpretentious eighteenpenny octavo which, two years later, was on sale at Richard Marriot's in St. Dunstan's churchyard hard by, and did no more than borrow its erudition from the riches of the Baconian storehouse.

Life, and its prolongation, is again the theme of the next book (also mentioned, by the way, in Walton) which I take up, though unhappily it has no inscription. It is a little old calf-clad copy of Lewis Cornaro's _Sure and Certain Methods of attaining a Long and Healthful Life_, 4th ed., 24mo, 1727; and was bought at the Bewick sale of February, 1884, as having once belonged to Robert Elliot Bewick, only son of the famous old Newcastle wood-engraver. As will be shown later, it is easy to be misled in these matters, but I cannot help believing that this volume, which looks as if it had been re-bound, is the one Thomas Bewick mentions in his _Memoir_ as having been his companion in those speculative wanderings over the Town Moor or the Elswick Fields, when, as an apprentice, he planned his future _à la_ Franklin, and devised schemes for his conduct in life. In attaining Cornaro's tale of years he did not succeed; though he seems to have faithfully practised the periods of abstinence enjoined (but probably not observed) by another of the "noble Venetian's" professed admirers, Mr. Addison of the _Spectator_.

Dobson opens his volume with a prologue in verse, addressing the reader as 'Lector Benevolus' and disclaiming any ambition to 'please the town.' The mixture of prose and verse, he explains, is meant to relieve monotony—a structural choice that sets the tone for a collection that moves between critical essay and light poem. The contents list reveals a focus on bookish subjects: the associations of old books, the history of printing, and the art of illustration, particularly the work of Kate Greenaway and Hugh Thomson.

The Associations of Books

In 'On Some Books and Their Associations,' Dobson argues that new books 'can have few associations,' contrasting them with volumes that carry the marks of previous owners or the patina of age. He does not develop this into a full theory but offers it as a premise for the essays that follow. The phrasing is characteristic: Dobson prefers the concrete detail—a deckle-edged page, a famous press—over abstract generalization. His own prose is measured, even conversational, as when he notes that a book's associations 'may reach us on the best deckle-edged Whatman paper.' The essay establishes a tone of learned but unpretentious reflection.

Kate Greenaway's Children

Dobson's essay on Kate Greenaway is part appreciation, part analysis. He praises her 'alert talent' and notes that her illustrations for children's books succeeded partly because her audience was 'not already preoccupied by former illustrations.' He quotes her own remark about a book that 'almost illustrated itself' because the characters were 'exquisitely and distinctly realised.' Dobson is careful to ground his observations in specific works: he mentions the 'delightful Knutsford ladies' of Cranford and the 'charming glimpses of rural life' in Our Village. His language is precise, avoiding vague praise.

Hugh Thomson's Challenges

The section on Hugh Thomson is the longest and most detailed. Dobson examines Thomson's illustrations for Jane Austen's novels, calling them a 'tour de force' given the constraints of indoor scenes and limited landscape. He notes the artist's 'persistent attempt to give individuality' to characters like Mr. Collins, Mr. Bennet, and Lady Catherine de Bourgh. Dobson also points out a practical detail: Thomson's backgrounds were often based on sketches made on Wimbledon Common, even when the story was set elsewhere. This attention to the illustrator's working methods is typical of Dobson's approach.

Verse Interludes and Printer's Lore

Interspersed among the essays are poems such as 'The Passionate Printer to His Love' and 'A Pleasant Invective Against Printing.' These light verses echo the themes of the prose pieces, treating printing and bookmaking as subjects for wit. In 'Cross Readings—And Caleb Whitefoord,' Dobson turns to a historical curiosity: the accidental humor produced by misaligned newspaper columns. The essay is a mix of antiquarian detail and gentle humor, typical of Dobson's method. He does not claim deep significance for these trifles but presents them as amusements for the 'friendly soul' he invokes in the prologue.

Dobson's collection rewards readers who enjoy the company of a well-stocked mind at leisure. He assumes no specialized knowledge but expects curiosity about the byways of literary and artistic history. The essays are best read in sequence, as the poems provide breathing space between the longer prose pieces. Those interested in the history of book illustration will find the sections on Greenaway and Thomson particularly valuable for their concrete observations.

There are books that stay with you less for their arguments than for their quiet company—like how Dobson lingers on the gentle craft of those illustrators. I found that same unhurried intimacy in Elements of Criticism, Volume II. — Themes and Context, where the weight of words felt like a familiar hand on my shoulder. It reminded me of evenings spent with old friends, turning pages slowly.

There are no reviews for this eBook.

0
0 out of 5 (0 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.

Reader reflection

Before you leave, reflect on the book

Use these questions to collect your thoughts before moving on.

Your progress 0 / 10
1

What is your current status with this title?

2

What was your overall reaction to the book?

3

How likely are you to recommend this book?

4

Did the language feel accessible?

Related eBooks